​SUZANNE MOXHAY  

This is a selection of work from the period when I began to experiment with imagery appropriated from mid-century books and magazines. I worked intuitively with the material, building up cut-out fragments pasted on glass panels into three-dimensional ‘sets’ in my studio. Although the source images were usually documentary in nature, I made use of theatrical and cinematic conventions, such as the wide-shot in Sirocco and Mesa, to bring out relationships latent in the material.